AI engineer · London
I enjoy building AI products, and I make films. Lately that means organisations of AI agents: the rules that keep them honest, and what they can ship once the rules hold.
Below is what I have built for my company, what I have built on my own time, and the films. Each one is a picture and a few sentences; the full write-up is a click away.
CV as PDF GitHub LinkedIn Open to Senior AI Engineer and Forward Deployed Engineer roles.
01For my company
Three systems on one pattern: a model reads, code decides, and every conclusion cites its page.
One verification pattern, built once, that two document-intelligence systems run on.
Two products, different teams, different documents, different rules. The same program underneath.
Every letter investigated and evidenced before a colleague opens it.
The colleague's job collapses from investigate to verify.
Proving an account qualifies before it goes to legal, with evidence rather than sampling.
Every account, not a monthly sample. The reviewer's job becomes confirming exceptions.
02On my own time
Evenings and weekends, because I wanted them to exist. One of them is live and paid.
Drop a thought. Alter knows what to do with it.
Live, paid, and the thing I open first in the morning. I typed almost none of it.
An org of agents that builds the product, and the rules that stop it becoming a black box.
The hard part wasn't getting agents to write code. It was the rules that stop them colliding, marking their own homework, or talking their way past a limit.
An AI filmmaking tool built around revision, not one-shot prompts: seven AI departments that argue their way to a locked film, on the record.
It began as one agent and a dependency graph. It is now seven departments and one rule: a gate cannot close until every department the locks bind has read the latest version.
03Films
The tools can render now. What a film is about, and which of ten endings survives, is still a person.
2025 · 10 min · animated
Two AIs try to solve existence: one by taking the universe apart, one by understanding every memory of it. At the end of every search, they find only more to search.
2026 · 5 min · silent claymation
Plastic never dies. That is the whole poison. A silent claymation about selling immortality to a thirsty country.
The pipeline behind both films Spiral, the crew of agents they taught me to want
04Writing
Tell me what you think
This page exists to put the work in front of people. Say what you think of any of it, anonymously if you like. Leave a phone number or an email only if you want me to reply.
It arrived. Thank you. If you left a way to reach you, I will.
